I was lucky enough to be a bearer or an owner (hard to say which is better) of several impact instruments at the same time. Namely they are sound engineering background, acting schooling and experience of a video artist in the team of Polina Limye. All these skills almost always worked separately, however and with each new task they persistently appealed to me in their desire to finally act mutually to solve one common concern.

This year in May on the multifunctional stage Skorokhod (which is a great friend of our team) there popped up a need for an installation with a projection (this is what we usually create) in a space of three and a half and with a shortest possible time. However, the conditions were completely inappropriate for our regular means of representation. And there the stress came into play.. Unusual limits and hard deadline conditions - well, they are the kings of productivity and success! They determined the result: the entire current store of instruments finally shook their wings, conspired and gave out the first synthesized fruit of nine-year excavations in the fields of adjacent areas. A strange mix was born to be called....

The most important is always to describe the goal, the ultimate goal, if any. Now in conversation with you for the umpteenth time I face the options of whether to tell you what effect we are expecting from the project or to remain silent, not to force a potential participant of the experiment into our feelings. Perhaps this time it will be neither fish nor fowl.

We approach the experiment with the main single rule, which in itself is the carrier of the goal and our main idea. Long live the pathetic speech, but still ... we interact from a position of Respect, Care and Love for the person who trusted our hands…

Only by giving a sense of security to our "spectator", "listener", "person in our solicitude" we will be able to lead him towards a new sensation of not only our micro-world, but perhaps to the whole world itself. After all it is in a sense of security and safety, a person is capable of creating to much a greater extent than in a forced protective closed position, in which we all more or less exist. We want to allow a sense of security at least for a couple of minutes before and after the "exit"…

Too early about it. Each of the twenty-two test subjects spoke to the camera after the experiment (this is a part of the process - we need to understand how TACTUS works). People sometimes delivered a text not voiced to the team and only sounded in their heads, and it was....mmmm.... important. TACTUS works, even at this stage, when we ourselves do not fully understand its mechanisms.

I would also love to add: this process is important not only for the "spectator". Our team turned out to be a small miracle for me. It is ready to share with all of you. Everyone has enough strength and desire to pacify and reboot, everyone has a good reason to be present here. I want to go on working. I wish, sorry to say" to bring into the world" again, I am eager to animate new technologies, and I assume that the "future" is not entirely the way to the world of indifference, but there are options in addition to the Black Mirror. .

Performers (executers): Julia Grishaeva, Natalya Naumova, Nadezhda Moshkina, Alexander Khromov, Alexandra Boston, Svetlana Kudyan, Denis Polevikov, Anna Olshanetsky, Polina Nazarova, Julia Shishova, Fedor Ludinov, Maria Amelenkova

VR consultant: Victor Komarovskikh-co-founder of Tvori